"A rare vocal phenomenon of this century" Damien Colas, La Discotheque de L'Avant-Scene Opera
"This extraordinary diva can sing anything and sing it well" Rodney Milnes, Opera Magazine
"The standing ovations had already begun in the first act for the brilliant Adriana sung by the superb Romanian soprano Nelly Miricioiu who touched our hearts in a powerful finale." Aridea Fezzi Price, Il Giornale
Discography
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
Nelly Miricioiu, Marcus Haddock, Anthony Michaels-Moore, Alastair Miles, Philharmonia - David Parry
"...The next big surprise, at least to anyone who has not heard Nelly Miricioiu before, is the discovery that the spirit of Callas pervades this recording. Indeed, it is a Callas with an improved technique over the stave, for there are no longer any signs of insecurity up there. The opening of Camilla's entrance aria is uncannily like Callas in her prime - Miricioiu's resemblance to her is tantalising, even down to the distinctive hint of a sob at the beginning of a poignaint phrase. Her singing is highly expressive and unfailingly musical. This set is worth having for her alone.."
Opera Now - George Hall
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